REVIEWS & TESTIMONIALS
I wanted to take a moment and officially thank you for your Hypnosis for Actors program. You may have saved my life! While attempting, with great difficulty, to memorize the 49 pages of MONOLOGUE for the production of the one man epic 'An Iliad', which opened this last weekend, our mutual friend Ken Clement suggested that I try your program, having used it to work on his Diary of a Madman. At first I doubted that it would work, but after trying it, I noticed that my lines were 'sticking' easily. By the time, I had used your program the 3rd or 4th time, the lines were flowing through my mind and out of my lips, as easily as if I had written them myself, or were inventing them on the spot. The proof is in the reviews, which have all been raves, some saying this is my best work ever. I truly believe your Hypnosis program made an enormous difference both in the length of time it took to memorize and the quality of that memorization. Every actor should try this program at least once!
THANK YOU!!! THANK YOU!!! THANK YOU!!!
With enormous appreciation,"
- Avi Hoffman, www.avihoffman.com
"I am simply amazed! After listening to this program the first time, within two hours, I was able to memorize 6 pages of sides in German, even though English is my mother tongue! Memorizing sides in English was even easier! Thank you!!"
- Holly Hylton, www.hollyhylton.com
" I was fortunate enough to be a test subject for "Hypnosis for Creatives" .... and I simply cannot recommend the process enough! I have been in this business for over 45 years and never liked the grunt work of learning lines, preferring to learn them during the rehearsal process. However, with rehearsal times now often shortened due to economics, I was suddenly faced with a real line load/two week rehearsal period challenge and turned to these tracks for help. AMAZING!! Not only are they a great meditation exercise, but when used in conjunction with learning lines organically, they were invaluable."
- Barbara Bradshaw
(AEA member over 37 years; multiple Carbonell Winner)
"I was given 8 songs to learn for a callback in 4 days. After listening to this program, I was able to memorize them in 1 day, leaving me 3 to really work on my choices, which came so easily and naturally. I have since continued to use the tracks whenever I work on music or sides. It focuses your mind and puts you in a place where you can really take advantage of the time you work on your material. It's like nothing I have ever tried in my life!!! I am now a firm believer, Thank you!!!"
- Jose Luaces, www.JoseLuaces.com
(Original cast member of A CHRISTMAS STORY on Broadway)
For Private Sessions
"Cyrilla worked with me on a very personal level before I had a series of oral surgeries. She customized her approach to me as a lighting designer, allowing me to visualize a light board. This worked, as I could use the various switches and controls to calm myself. During the surgery (3 wisdom teeth removed) I managed to remain calm and focused. It really worked, and has worked on some other minor medical issues since. Thanks Cyrilla!"
- Rich Simone, director/designer/actor
(departed and dearly, dearly missed...)
"My session with Cyrilla was 8 years ago. I still use techniques I learned then. In the years since, I have begun meditating. Cyrilla’s work helps me get to the silent place faster and with less angst. I use her to “drop” into sleep. To calm myself down. To restore myself to the present moment. Because she is a creative person. She understands the specific needs (and dodges) of where I would go if I could go. I do better because of Cyrilla."
- Ellen Stoneking, actor/writer, Chicago
There's a big difference between programs designed for the general public and "adapted" for actors as opposed to programs designed by a professional actor specifically for actors and other performers.